Sándor Gugi was a Hungarian pioneer of comic book adaptations of classic literature, born on 12 September 1917 in Budapest. In 1934 he won a national drawing competition, and a year later he got admission to the College of Fine Arts, where he graduated as a teacher. From 1940, he worked as an art teacher. He began illustrating the daily Szabad Nép in 1949.
His first comics were published in Tanácsok Lapja from 1954 onwards, where he drew the adventures of 'Talál Tamás' in strip format. In 1955, he contacted Tibor Cs. Horváth (who worked at the Educational Department of theMinistry of Culture at that time) to produce comic books similar to the American Classics Illustrated-series. Horváth jumped at the chance and thus were born emblematic pieces of the medium in the pages of Új Világ, Szabadságharcos and Po Sztránye Szovetov.
Mark Twain's The Prince and the Pauper
Gugi could draw in various styles: with meticulous inks in Wells' 'Invisible man', using ink wash in Verne's 'The Children of Captain Grant' or applying comic images in 'Mahomed in Csömör'. His works were also published in many countries of the socialist block, for example the East-German magazine Frösi ('Der Arme Leopold', 1977).
Der Arme Leopold
Between 1954 and 1960 Gugi laid down the foundations of comic book drawing and scriptwriting only to cut the whole business. The split was caused by his immense exactitude, as he quite often was ready to spend weeks doing preparations before drawing one single panel. (He checked every detail regarding furniture, clothing, architecture, etc.)
Jules Verne's The Children of Captain Grant
In 1970 he returned to the world of comics with two Rejtö short story-adaptations, but soon got disillusioned with producing quantities and quit again. The artist undeservedly forgotten died on 31 December, 1988.
His main works are H.G. Wells' 'A láthatatlan ember' ('The Invisible man', 1957), Ribakov's 'Atör' ('The Dagger', 1957), his own story 'Mahomed Csömörön' (1959), Antal Szerb's 'Szerelem a palackban' ('Love in a bottle, 1964) and Jenö Rejtö's 'Pipacs' and 'Minden jó, ha vége van' (1970).
'Der Arme Leopold' online