At Last My Drim of Love Has Come True
New York Times Paperback Graphic Book Best Seller
Krazy Kat, with its eternally beguiling love triangle of kat/dog/mouse, its fantastically inventive language, and its haunting, minimalist desert décor, has consistently been rated the best comic strip ever created, and Fantagraphics’ award-winning series one of the best classic comic-strip reprint series ever published.
With our 13th volume, Krazy & Ignatz 1922-1924, the decades-in-the- making project of publishing every single Krazy Kat Sunday created by Herriman comes to a close. (Next: The dailies!)
While the Krazy Kat Sundays were created and published in black and white until 1935 (and therefore the majority of strips in this book are black and white), Herriman’s publisher did briefly experiment with running the strip in color in 1924, and all 10 of these rare full-color strips are presented here. The book also includes more rare photographs of Herriman, a “DeBaffling” section explaining period references and in-jokes, and the usual surprise “goodies” each of these volumes springs on their readers.
Krazy & Ignatz 1922-1924 includes the entire runs of Herriman’s early strip “Little Tommy Tattles” and his very first daily strip “Mrs. Waitaminnit,” which haven’t been printed in over a century. Also featured is the entire run of Herriman’s hilarious mid-20’s domestic comedy Sunday strip Us Husbands. And for the 13th and final time, the cover is by Chris Ware.
"Herriman’s graphically dazzling, ineffably beguiling creation remains unequaled a century after its first appearance, and the 13 volumes amassing his three decades’ worth of fanciful Sunday funnies are mandatory purchases for any comics-art collection. This volume is filled out with Herriman rarities, including his first daily comic strips, from 1903, and the full run of Us Husbands, a far-more-conventional Sunday strip about married life that Herriman drew throughout 1926." – Gordon Flagg, Booklist
Praise for Krazy Kat and the Krazy & Ignatz series:
“Endlessly perplexing, energetic, deep, and playful.” – Sarah Boxer, The New York Review of Books
"In truth, nothing less needs to be propped up on the ivory stilts of 'fine art' than Krazy Kat. On a daily basis, in a medium designed to provide simple diversion, Herriman went about his business unpretentiously, seemingly effortlessly, leaving an American masterpiece in his wake." – San Francisco Chronicle
"Herriman's panels convey an irrepressible sense of movement and incorporate distinctly surreal touches, such as the thronged mushrooms that 'rise to feast in florid fungushood,' blooming like umbrellas under a cheese-slice moon." – The New Yorker
"This beautifully produced series is a must for any reader interested in great art." – Publishers Weekly
"George Herriman was one of the very great artists, in any medium, of the 20th century." – Michael Chabon
"Mr. Herriman's scratchy, elastic line revolutionized the art of comics, as did his canny psychologizing." – The New York Times
"Don't read 'Krazy Kat' because it's good for you. Read it because it is you, an American being, immigrant-infused, with a light-hearted sense of infinite promise. Herriman's art, word and line, is so damn deep, so damn wonderful and so damnably us." – Los Angeles Times Book Review
“Herriman was one of those godsent popular artists like Chaplin, Armstrong, Hitchcock, and Dylan, whose low art makes mincemeat of the high.” – Tom DeHaven