'Mourir' (Ça N' Existe Pas)'.
Théa Rojzman grew up while exploring several artistic fields, such as writing, drawing, painting, music and theater. She eventually focused on writing and painting; she has written a couple of novels and short stories, and regularly exhibits her oil paintings. In 2003, she published a book with illustrated poetry, 'Duos et Solos', while studying Philosophy and, subsequently, Social Therapy. Rojzman chose an artistic direction eventually, but also worked with her father on as a 2006 essay titled 'C'est Pas Moi, C’est Lui, Ne Plus Être Victimes Des Autres' ('It's Not Me, it's Him, Don't Be A Victim of Others Anymore'). She also worked with her father on a comic about their work and their relationship, resulting in the book 'La Réconciliation' (JC Lattès, 2007). Rojzman has since worked on solo projects like 'Le Carnet de Rêves' (La Boîte à Bulles, 2009), 'Sages Comme Une Image' (Les Enfants Rouges, 2010) and 'Mourir (Ça N'Existe Pas)' (La Boîte à Bulles, 2015). Psychology has remained a recurring theme in her work. For Fluide Glacial, she works on a series about famous psychopaths, and her feature 'Sur le Chesterfield de Madame La Psy' appears regularly in Le Cercle Psy.
'Sages Comme Une Image'.