Gusari na Atlantiku
Gusari na Atlantiku

Zdenko Svirčić was a Croatian comics artist, illustrator and sculptor. His comics career was limited to six published serials between 1954 and 1966, most notably 'Gusari na Atlantiku' (1963) and 'U ledenoj pustinji' (1963) for Plavi Vjesnik. He was a prominent illustrator for Zagreb newspapers and magazines like Vjesnik, Vjesnik u Srijedu, Arena and Globus, and also for books and movie posters.

He was born in 1924 in the Dalmatian city of Split, which was at the time part of Yugoslavia. He was the eldest of five brothers. His parents were successful entrepreneurs, who ran the legendary Svirčić pastry shop in Split's Old Town district. Zdenko Svirčić showed an early talent for drawing and painting, and he was encouraged by his family and his drawing teacher to pursue his artistic ambitions. He was also guided by the photographer Karl Stühler, who was affiliated with the Archeological Museum. He took on sculpting at age 16, and published his first story in the Zagreb newspaper Jutarnji list in 1940.

After his grammar school education, Svirčić joined the Yugoslav Partisans in the National Liberation Army in 1944. His brigade operated in the Zadar area and participated in the final battles near the North-Italian city Monfalcone (known as Tržič in Croatian). After the war, he enrolled in the Academy of Fine Arts in Zagreb, where he attended the sculpting courses of Frano Kršinić and Grge Antunc. He also met his future wife, the sculptor Ružica Peter, at the academy. After his graduation in 1950, Svirčić settled in Zagreb, where he became one of the leading illustrators for magazines and books during the 1950s and 1960s.

Illustration by Zdenko SvircicIllustration by Zdenko Svircic

The artist had begun making illustrations in the Zagreb press while still a student. Among his early clients were publications like Student List, Kerempuhu and most notably the national daily newspaper Vjesnik. It was a period with a strong focus on visual and artistic quality, and new graphic techniques emerged. Papers and magazines tried to please their readership with high quality illustrations, while artistic fields like animation, music and theatre also blossomed in the Zagreb region. Starting in 1952, Svirčić served as header designer and illustrator for Vjesnik u Srijedu, the weekly edited by legendary journalist Fadil Hadžić. He remained with the weekly, which is also referred to as VUS, until 1996. In the 1960s he also began an association with the magazine Arena, for which he made a weekly chronicle of bizarre events of everyday life on the back page. Further illustration work appeared in Plavi Vjesnik (late 1960s/early 1970s) and ZOV (1970s).

Roski Buntovnici, by Zdenko Svircic

Besides a newspaper and magazine illustrator/cartoonist, Svirčić worked on variety of realistic comic stories in the period 1954-1966. His main influences were the American grandmasters Alex Raymond ('Flash Gordon') and Hal Foster ('Prince Valiant'). One of his first works was an adaptation of Gustave Flaubert's 1862 novel 'Salambo', but the project was never finished. His first published comic was 'Zasjeda na Mediteranu' ("Ambush in the Mediterranean", 1954) which was written by Marcel Čukli and serialized in Miki strip. Svirčić and Čukli cooperated once again for 'Obruč', which ran in Naša smotra in 1962-1963. In 1959 the editor of Plavi Vjesnik hired Svirčić and Žarko Beker to complete the serial 'Kroz minula stoljeća', filling in for Julio Radilović. Svirčić's most popular serials were 'Gusari na Atlantiku' ("The Pirates of the Atlantic", 1963) and 'U ledenoj pustinji' ("In the Ice Desert", 1963). They were written by popular sci-fi writer Zvonimir Furtinger and serialized in Plavi Vjesnik. His final comics stories were 'Počelo je na Čukur-Česmi' ("It Started at the Čukur Fountain", 1966) and 'Roški buntovnici' ("The Rebels of Rog", 1966), both scripted by Rudi Aljinović and published in Strip magazine. A final story by Svirčić and Aljinović called 'Pobuna okovanih' ("Rebellion") remained unpublished. By 1967 his career in comics came to an end because of its low income.

Illustration by Zdenko Svircic

He continued to work as an illustrator, while also serving as head of the creative department of the company IKOM between 1973 and 1979. During the 1960s, 1970s and 1980s he was a versatile illustrator for storybooks, encyclopedias, historical works, traffic manuals and movie posters, as well as brochures and tickets for the turist office. He most notably illustrated the cover for a collection of Charles Perrault fairy tales called 'Najljepše bajke svijeta' ("The Most Beautiful Fairytales in the World", 1971) with which generations of Yugoslav children have grown up. His final major client was the weekly news magazine Globus, to which he contributed from the early 1990s until a stroke forced him to stop drawing in 1996. The artist spent his final years making miniature sculptings with his right hand. For the last half-century of his life, Svirčić and his wife lived in the Črnomerc district of Zagreb. The artist passed away on 23 December 2016.

Although Zdenko Svirčić's career as a comics artist was relatively short, it is far from forgotten. His six stories were collected in the 1984 monography 'Hrvatski poslijeratni strip' ("The Croatian Postwar Comic") by Veljko Krulcic, along with the work of Walter Neugebauer, Andrija Maurovic, Žarko Beker, Ivica Bednjanec, Jules Radilovic and Oto Reisinger. His complete comics oeuvre was also released in a book by Strip forum in 2013. The book was edited by Mladen Novaković and also featured an analysis of the artist's work by Marina Radišić and the reprint of the sole interview Svirčić gave about his comics work to Zdravko Zupan in the 1980s. His work has been featured on several (inter)national exhibitions of Yugoslav comics like 'Splitcomics' in Split (2007) and '100 years comics the Balkans' in Brussels, Belgium (2014).

Illustration by Zdenko Svircic

www.zdenkosvircic.com

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