Not much is known about the pulp comic artist Ben Abas. Between 1947 and 1955, he worked on several series of small illustrated "picture novels", called "beeldromans" in Dutch. These action-filled comic books appeared in imitation of the successful 'Dick Bos' comic books by Alfred Mazure. Among Abas' early work are the first six 'Spot Morton' books for the Amsterdam-based publisher Periodiek in 1947. He was succeeded on this comic by Georges Mazure. Abas then began the Bell Studio with his father, first in Haarlem and then in Lunteren (1952-1955). His main series for this publishing firm were about the detective 'Lex Brand' (with texts by his brother Leo Abas) and the one about space traveler 'Tom Wels', but he also drew two issues of 'Kara Ben Nemsi' (1952) and three of 'Texas Ranger' (1955). Another "beeldroman" published by Bell Studio was 'De Groene Straal' by Dick Vlottes.
Abas drew an average of two monthly "picture novels" from the summer of 1947 until the Summer of 1949. The second series of 'Lex Brand' ran from 1952 until 1954. Ever since 1948, comic books had been under fire from the government and educators, expecially for giving a bad example to children and causing "reading laziness". By 1955, the public opinion against comic books was of such nature that Bell Studio had to cancel its activities. 'Lex Brand' and 'Tom Wels' were reprinted by Peter de Vos and H. Bontkes and their Stichting Uitgeverij Beeldromans in the 1980s.
De Strijd der Gauchos
From July to September 1950, Abas also drew the balloon strip 'De Strijd der Gaucho's' for magazine Okido of Neerlandia in Utrecht. Abas was a friend of scriptwriter Lo Hartog van Banda, with whom he had created four issues of the science fiction magazine Fantasie en Wetenschap in 1948-1949. From 1953, Abas was shortly affiliated with the famous Toonder Studios, but his tenure was far from easy. By 1952, Hartog van Banda had approached the studios with a couple of projects. One of them was 'Baron van Tast', with artwork by Abas. The comic was rejected, but the plot was reused for the 'Baron Bluff' comic and redrawn by Jan van Wensveen. Abas eventually got the opportunity to work for Toonder's 'Tom Poes' balloon strip in Donald Duck weekly for a short while, after which he teamed up with Hartog van Banda again for the sci-fi comic 'Martin Evans'.
He drew most of the first story, 'Het Venuskruid', in 1955. It was originally published in Scandinavian newspapers, as well as the Belgian magazine 't Kapoentje. In Holland, the story appeared in Echo in 1958. After 100 episodes, Toonder Studios wrote to the affiliated papers that they cancelled the comic, apparently because they were not satisfied with its theme and quality. Abas was allowed to continue on his own, but was offended by the way he was treated and dropped the comic altogether. Writer Hartog van Banda was not amused by Abas' sudden departure, but was not aware of the way the studio had treated him until later. Banda never had the chance to work things out with his former friend, because Abas had emigrated to Australia shortly after ending his comics activities in the Netherlands, probably in September or October of 1955. The 'Martin Evans' comic was continued by Dick Vlottes (who also finished the first story) and later Gerrit Stapel.
Abas became a drawing teacher in Perth, where he eventually passed away. He also made the illustrations for a series of school books called 'New living English' by Roy W. Grace, which were published in Perth in 1974 and 1975.