Mark van Oppen, alias Marvano, studied interior architecture before choosing a career as illustrator. His first drawings appear in the Dutch science-fiction magazine Orbit, which he signed with Marvano. He continued making illustrations in the science-fiction genre for the publishers Heyne in Germany and Meulenhoff in the Netherlands. By 1982, he stopped his architecture activities and became editor-in-chief of Kuifje, the Flemish version of Tintin. During his period he published his first comics in both Kuifje/ Tintin and Robbedoes+ (the Dutch version of Spirou Album +). In 1986 he was appointed head of the comics section of the Flemish publishing firm Den Gulden Engel.
De nar in de ridder (Robbedoes+ 4, 1982)
Marvano's first artistic claim to fame was his adaptation of SF novel 'The Forever War' by the American novelist Joe Haldeman, that was published as a trilogy in the Aire Libre collection of the publishing house Dupuis in 1988 and 1989. For these books, Marvano worked in close collaboration with the writer, who became a personal friend.
Van Oppen made his next books for Le Lombard ('Le Solitaire' with Bob van Laerhoven) and Standaard ('Red Knight', with Ronald Grossey), both published in 1990. Marvano returned to Dupuis to work on a series of adapations of Paul-Loup Sulitzer's 'Rourke' novels in cooperation with scriptwriters Jean Annestay and Marcel Rouffa between 1991 and 1994.
Marvano returned to science-fiction with 'Dallas Barr', a futuristic series about eternal life, created in cooperation with Joe Haldeman. It was published by Dupuis between 1996 and 2000. Lombard released two new installments in 2005. Marvano and Haldeman made a new SF saga called 'Libre à Jamais' for Dargaud in 2002 and 2003.
In addition, Marvano had worked with Rouffa again on 'Ver van Ieper', a historical album about the town of Ypres during World War I in 2000. His next project was a follow-up to his graphic novel 'Les 7 Nains' (Dupuis Aire Libre, 1994), that resulted in the series 'Berlin' of which two books were published by Dargaud in 2007 and 2008. Van Oppen wrote the one-shot 'Les Petits Adieux' for artist Magda in 2009 and embarked on a new historical trilogy called 'Grand Prix' in the following year.