Bringing Up Father, by George McManus, 1923 (Milwaukee Telegram)
'Bringing Up Father'.

George McManus was born of Irish parents in Saint Louis, Missouri in 1884. He dropped out of school at age fifteen and started working at the Saint Louis Republic. This newspaper published his first comic, 'Alma and Oliver'. McManus was strongly influenced by Winsor McCay and Richard F. Outcault. In 1904, after winning some money, he moved to New York and was employed by Joseph Pulitzer's New York World. For this journal, he worked on several running stories, such as 'Snoozer', 'The Merry Marcelene', 'Panhandle Pete', 'Ready Money Ladies', 'Let George Do It', 'Cheerful Charlie' and 'Nibsby the Newsboy in Funny Fairyland' (which shows some similarities to 'Little Nemo in Slumberland' by Winsor McCay).

Bringing Up Father, by George McManus
'Bringing Up Father'.

In 1904, McManus created 'The Newlyweds', about an elegant young couple and their baby, Snookums. This series, the first family strip in an American newspaper, became quite popular and caused rival newspaper The New York American to invite McManus to work for them, which he did from 1912 on.

Snookums, by George McManus (1948)
'Snookums', 1948. 

McManus continued 'The Newlyweds', now renamed 'Their Only Child', and started up several other daily comics, like 'Rosie's Beau', 'Love Affairs of a Mutton Head', 'Spareribs and Gravy' and the famous 'Bringing Up Father'. This comic about an Irish immigrant worker, Jiggs, and his wife Maggie, was syndicated by King Features Syndicate from 1913. The strip inspired several movies - in four of them, McManus himself played the role of Jiggs. Some sources claim that Larry Semon directed a 1915 slapstick short based on 'Bringing Up Father', but there's no evidence that this movie was ever made around that time, let alone by him. In 1913, Émile Cohl adapted McManus' 'The Newlyweds' (1912) into an animated series, which marked the first time a comic strip was adapted into animation. 'Bringing Up Father' also enjoyed foreign success. In the Flemish magazine Kinderwereld, it ran as 'Baron Zeep', while other Flemish papers printed it as 'De Familie Klepkes'. 

In 1935, McManus took an assistant: Zeke Zekely. When McManus died in 1954, 'Bringing Up Father' was continued by Frank Fletcher and Vernon Greene. Greene retired in 1965, passing the pencil to Fletcher. Between 1981 and 2000, 'Bringing Up Father' was continued by Frank B. Johnson. During his period, Mort Walker occassionally wrote gags for the series. In 2000, the final episode of 'Bringing Up Father' appeared in print, having entertaining readers for more than eight decades. 

Jiggs in 'Bringing Up Father', by McManus
'Bringing Up Father'.

George McManus has influenced a great number of artists. In the United States, he was an inspiration to Al Capp, Gene CarrWalt DisneyGus Mager (whose newspaper comic 'The Trewtulyfe Family' was basically a rip-off), E.C. Segar and Otto Soglow. In Europe, he also found admirers. In Belgium, Hergé was strongly influenced by 'Bringing Up Father''s characters, down to the round noses and dotted eyes of Jiggs' family. Particularly in the character of Captain Haddock, McManus' graphic style still beams through. Other Belgian artists who were inspired by McManus were André Franquin and Jean Roba. In France, he counts Gervy and Wolinski among his disciples. In Italy, Federico Fellini,  in The Netherlands, Joost Swarte and Marten Toonder, in Spain, Manuel Vázquez and in the United Kingdom Ernest Shaw. McManus also found admirers and imitators in Argentina (Arturo Lanteri, A. Messa), China (Ye Qianyu) and Indonesia (Kho Wang Gie). Harvey Kurtzman and Bernard Krigstein parodied 'Bringing Up Father' in issue #17 (November 1954) of Mad Magazine. 'Bringing Up Father' was spoofed as a sex parody by Roger Brunel in 'Pastiches 2' (1982).

With his subtle but relentless humor, he described American society, ridiculing its insatiable desire for luxury and its egotism.

George McManus was also directly responsible for inspiring Winsor McCay to go into animation. He'd made a bet with McCay, wagering he couldn't produce enough line drawings to sustain a four or five minute theatrical short. McCay won the bet and changed animation history forever. 

Bringing Up Father, by George McManus
'Bringing Up Father'.

George McManus
George McManus.

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